A nice two-fer of posters.
Japanese poster // via Gurafiku.
by Robinson Jeffers, 1925-26
Four pelicans went over the house,
Sculled their worn oars over the courtyard: I saw that ungainliness
Magnifies the idea of strength.
A lifting gale of sea-gulls followed them; slim yachts of the element,
Natural growths of the sky, no wonder
Light wings to leave the sea; but those grave weights toil, and are powerful,
And the wings torn with old storms remember
The cone that the oldest redwood dropped from, the tilting of continents,
The dinosaur’s day, the lift of new sea-lines.
The omnisecular spirit keeps the old with the new also.
Nothing at all has suffered erasure.
There is life not of our time. He calls ungainly bodies
As beautiful as the grace of horses.
He is weary of nothing; he watches air-planes; he watches pelicans.
Photographer Ian Tuttle took portraits of hikers on the Pacific Crest Trail this past summer. A friend spoke about some of them having “crazy eyes.” As I looked through the gallery I thought that these people have eyes of human beings who are exactly where they want to be, doing exactly what they want to do. I think we have forgotten what sane people look like.
See the full collection of images.
For my readers under the age of 40, Cadillac Ranch was an art installation built in 1974 by the Ant Farm, a San Francisco collective of artists and architects. It is still visible along the old Route 66 near Amarillo, TX.
Charles Kuralt: “When people ask you, what are all those ten Cadillacs doing out there in your wheat field? What do you answer?”
Stanley Marsh 3: “Depends on who they are…when I get a chance I lie to them. I tell them it’s for an Elvis Presley movie or Evel Knievel to jump over or maybe it’s the Caddy Cult, and it’s the new Mother Church for Home Religion. I tell them whatever strikes my fancy.”
CK: “If I asked you, what would you tell me?”
SM: “Well I’d have to tell you the truth. The truth is it’s a roadside spectacular sculpture made by a group called the Ant Farm, architects from San Francisco.
“From ’48 to ’64 that was the American Dream, the Cadillac fins. They’re the American Dream because they were so badly made and so cheap that after two or three years anyone could have one.”
Early photos of the project can be found at Wyatt McSpadden Photography.
ht Simone // via Route 66 News.